Oh my goodness. I just had the Most Fun Weekend Ever at the ALA Midwinter conference. I met the Entire Writing World there, and took home a bunch of ARCs I’d been longing for. (Okay, I’m not planning on keeping most of these — they’re for my local librarian, who couldn’t go this year. But I’m reading them first, naturally, just to make sure they’re, um, suitable, or something.)
I don’t even want to talk about all the things I did. I’ll just post pictures instead.
First on the agenda: Hanging out in the local cemetery with author Jenny Moss.
Wait - is that Anne Nesbet's debut? I already bought it last week! Hardcovers rule.
Hannah Moskowitz's AMAZING book Zombie Tag was front-and-center. Hmm... I already own this one, too.
Hooray! An ARC I'm dying for! Savenaz Tash's The Mapmaker and the Ghost! But... it's not being handed out yet? *sobs*
Eureka! I finally hit ARC gold with Greg Leitich Smith's upcoming The Chronal Engine!
Time to hang out with the literati: Jenny Moss, P. J. Hoover, and Jessica Anderson Lee. (Maybe their talent will rub off if I squeeze in?)
Could I smile any wider? I just got two books signed by Michael Buckley!
And then... an ARC of Tom Angleberger's upcoming Fake Mustache. Which came with - you guessed it - a fake mustache.
And then the cows came home. With so many ARCs they could hardly lift the bags.
My kids think I am a Magical Book Fairy now, as I snagged the Very Best books from the actual HANDS of their most favorite authors. I’ll have to admit, it was a very Cinderella-ish weekend for me, between the books and the author-idols, and meeting all the sweet Penguin fairy-godmother-type marketing and sales folks.
Now, I’m off to Dallas for the ALA Midwinter conference to hang out with the literati and act like I Know Stuff. So excited. But I have to pack — I’ve heard a rumor that (unlike Austin) jeans and a nice t-shirt do NOT constitute appropriate conference attire in Dallas. Weird, right?
I am hip deep in halligators, Writer Friends. I’m writing and revising my way to sending a new manuscript off, and I only have a few minutes to post here, but I had to share this wish for you:
I wish for you, an ideal listener. Not reader, although ideal readers are out there, and when you find one, it makes you want to write faster and better, thinking of your words flying across the page in front of their wide, hungry eyes.
I have an ideal listener, and I think it’s possibly the best part of my writing life.
My ideal listener sits on the bed behind me as I read the chapters of my WIP aloud, wating patiently as I correct typos on the fly, listening intently to every word. He laughs and hoots and kicks at the covers when I read the funny bits. When the tension mounts, he stands up, crosses the room, and stands right behind my chair, his quick breath on my shoulder, tense fingers gripping the back of my chair.
He sneaks out of bed sometimes at night long after I’m done reading, tiptoes downstairs, opens my documents file, and steals an illicit next chapter because he can’t wait.
He tells me, at bedtime, that the book I’m writing is the best he’s ever heard, better than anything.
“Rick Riordan good?” I ask.
“Better than… The Ranger’s Apprentice?” I ask.
“You’re crazy. How about… Harry Potter?” We laugh. It is *almost* sacrilege.
Different, he says. Just as good.
Then: Can I hear just one more chapter tonight? Please?
I know it’s not all true, Friends, but it doesn’t matter. You need at least one cheerleader on the sidelines at the early stages of the game. And if your cheerleader will sit quietly as you read aloud (the MOST important part of revision, in my estimation), it makes even that part of the process deeply rewarding.
Now I have to go write about wishes, and ideas, and seeds. Just a few more pages…
Not just because I’m a calendar girl, although of course that would be a good reason. (I’m pretty sure I’m August, but I haven’t gotten mine in the mail yet. I’m thinking August will be a month to remember.) It’s a great calendar, chock full of inspirational stuff and handy references… check it out!
I should add, if you’re family, you’re required to get one because it has my kids’ pictures in it. Seriously.
When you start to explore the crazy world of book publishing, it’s like walking into a room where everyone is speaking Pig Latin: you don’t understand every word, especially not at first. There’s all sorts of terminology to onfuse-cay ou-yay.
Three years ago, I wouldn’t have known what an ARC was, unless you meant the kind Noah started building when God whispered “rain.”
But I just got the ARCs of my book, and so that you’ll understand and celebrate with me, rather than feel confused, I’ll tell you what they are. ARC stands for Advance Reader Copy. These are copies of a book put out months before the publication date of the novel, and sent to reviewers, booksellers, librarians… and authors.
Look! I got a box of these beauties, and they’re mine ALL MINE!
And NO, the final cover art will not be pink. Or anything like this at all.
Er… No, not really.
ARCS are a marketing tool, NOT copies of the book, exactly. They still have that last batch of typos and errors that didn’t get picked up in early rounds of edits (and, yes, it kills me to know that on page 183 or whatever, people will see that horrible logic flaw. I took it out after these were printed!)
My NAME is on the SPINE! With candy. How apropos.
Since ARCs are not copies of the final book, they are not for sale! You cannot buy them, and if you see them for sale online, someone is doing a Very Bad Thing called piracy. Don’t support them, please. Writers need to eat, and that only happens when actual money changes hands.
Speaking of money, ARCs are very expensive to produce! They can cost upwards of $16 apiece to print, since they’re run in small batches. (And that’s in softcover! My book will come out in hardcover and cost the reader about the same. Weird.) So if you get one, be happy! Read it, review it if you like, and maybe pass it on (if you really liked it, to a librarian who might buy a copy for her collection. Just don’t ever sell it. See piracy, above.)
So, my ARCs are now out in the world, going to all the fancy schmancy people who might possibly write lovely (or not-so-lovely) things about my book. It’s more than slightly scary. But it’s wonderful, too.
It has a back cover, too! With words on it! That I wrote!
It’s a total Pinocchio moment for me — I’m a Real Author now! And I won’t lie, that thought makes me feel all Christmas-y inside.
Merry Christmas, Friends! And I hope Santa brings you exactly what your heart desires.
PS – Very soon I will be able to share the Real Cover Art. It will SO be worth the wait. 🙂
I can’t play the piano. Well, not really. I took a few months of lessons when I was a seven, a semester of class piano during my “voice major” phase of college, and four months of lessons when I was pregnant with my first kid. So I can sit down and plunk out a melody line, sure. And I played enough other instruments in my life to be able to read music well enough. But no one would make the mistake, after hearing me massacre a minuet, of thinking that I could really play piano.
Some of my very favorite memories of childhood, though, were of my mom playing piano music with us kids, all of us singing along. We had dozens of songs memorized, harmonies and descants included. Whenever a day had really gotten to one of us, the sound of those songs trickling in from the living room would pull us out of our funk and onto the piano bench, right next to Mom, and the day improved in an instant.
I wanted to give that to my kids. I wanted to play those songs, and more. But I was a Very Difficult Child, and broke my mom like a dry twig when she tried to force me to keep up the practicing as a child. And the time, patience, and will to learn to play as an adult eluded me.
So I settled for the Most Important Songs: Christmas Carols. Even if I couldn’t sit down and play some gorgeous classical piece, by gum I was going to nail Joy to the World and Jingle Bells. You know what? I did it. I mostly have those, even if they are pretty easy versions. Even though I have to struggle and sweat through every new song I want to add to my repertoire (Silver and Gold? O Come, O Come Emanuel? You are mine!), I am adamant I will succeed.
I think all of our Big Dreams are like that. There are things we want, and things we’re willing to work for, and things we’re willing to accept. Too often, we’re willing to accept less than we are capable of, and far less than we’d dreamed. I accepted far less in my dream of playing the piano with my kids — but I’ve made my peace with what I can do and have done.
Whether it’s in writing or music, there comes a point when you must draw a line in the sand and say: this is what I want, and am willing to work for. Fight for. Even if it means sitting down to the keyboard and coming face-to-face with your current state of mediocrity, even if it’s embarrassing and your kids/critique partners don’t seem all that enthused.
Even if it means the dogs howl and the neighbors post anonymous complaints about the noise, even if the agents and editors send form rejections and nothing else, keep working toward your goal. At the end of your journey, you will have earned the right to be proud of yourself. So what if your work only ever appears in a local magazine, or a church newsletter? So what if all you can play is Silent Night?
Personally, I’ve always loved Silent Night. And the most meaningful thing I’ve had published was in a church magazine.
So, Writer Friends… what are you willing to work for? What are you willing to accept?
Actually, I had a fainting spell when I saw the names of the other poets in this anthology. I’m still a little overcome by the whole thing.
Now, I don’t have time to mess around. I have a whole lotta words to churn out to meet my next deadline. So, answer me this: if Santa were planning on bringing you a recently-published book (in addition to these lovely anthologies), what book would you ask for?
Did Santa ever bring you a book when you were small? Or was that considered socks-and-underwear-ish?
I have a problem, Writer Friends. I have a short story AND a poem ready for submission. Okay, it’s not exactly a problem. More a quandary.
I have no idea where to send them. You see, I really, really like this poem and story, but they both will have to fall into just the right lap to find their way out into the big wide world of publication. (Translation: they’re both weird.) And even though I’ve had similar work published before, these new pieces are just different enough to send me scurrying to all the corners of the Internet (not to mention the magazine racks, the bookstores, and my own bookshelves) to hunt down just the right venues.
I get emails from writers fairly frequently, asking me where good markets are for this, that, and the other. The truth is, I don’t know. No one seems to — and if they say they do, I’m not sure they aren’t trying to sell you (and me) snake oil. I think there is some not-so-small measure of serendipity that leads you to the right editor.
Of course, chance favors the prepared writer – so doing your homework, and surfing all those sites to find new markets is a step you can’t skip, no matter how you wish you could.
This shouldn’t even be an issue for me right now. I’m hip deep in second pass pages (the final round of editing for Sinister Sweetness), a draft of my agent-anticipated WIP, and prep for the holidays. But these short pieces are begging for attention, too. Heck, my pets are strays. I guess I’m a sucker for little brown dogs — and the “little brown dogs” that howl on my hard drive, too.
Any of you have short pieces you can’t find a home for? Where do you go to find them homes, other than duotrope?
Happy Thanksgiving, Writer Friends! May you all win your personal NaNos, or at least get the biggest piece of pie. 😉
Austin has a lot: great music, wonderful food, a laid-back, wear-your-jeans-to-the opera vibe… and books.
Oh, do we love our books.
I’ve been hanging out at the local indie bookstore, Bookpeople, a WHOLE lot recently. Not only am I attending to support my Writer Friends’ book launches, I’m also being dragged there by my kids, who also love them some readin’.
Last week I noticed something… interesting. Book launches are getting more and more exciting.
Also brownies, but that may only be exciting to me.
My kid and his friend with their hero, Mr. Flanagan.
And then, at John Flanagan’s launch for Book One: The Outcasts of his new series, The Brotherband Chronicles, there was honest-to-goodness sword fighting. (By trained professionals. If they’d given swords to all the kids, there would have been a higher body count.)
Also, knights in real armor, and more Ranger’s Apprentice look-alikes than you can shake a bow staff at. I thought I’d wandered into the Renaissance Festival for a minute.
It was absolutely cool.
I can’t even express how much I approve of this new trend. But it has me a little worried. How will I make my own launch next year stand out?
Have a gingerbread school contest?
Get impoverished and/or child actors to act out the scariest scenes?
Hire a local coven to come with a cauldron full of fake body parts… or worse?
I could use some help here. 🙂 I don’t think I can work the sword fighting in at this stage – I’m proofing the final pass pages this month! (And can I just say that seeing my name on the copyright page is the HUGEST rush?)